Gary Arseneau - Deception: Are These Really Rodins? |
Rodin, Auguste (French 1840-1917) History/Certification: Edition size believed to be approximately 141 [Rodin: Sculpture & Drawings, Catherine Lampert, (London: Arts Council of Great Britain, 1986), p. 206-207
Certificate dated 1916 signed by G. Leblance Barbedienne, certifying execution of bronze caste of model supervised by Rodin. The MacKenzie Art Gallery’s documentation for their "Eternal Spring" is confirmed, in part, in the National Gallery of Art’s 1981 Rodin Rediscovered exhibition catalogue by the former Musee Rodin curator Monique Laurent. She documents in her essay "Observations on Rodin and his Founders" the foundries that have "cast" lifetime and posthumous reproduction bronzes. On page 289 she writes: "Rodin reached an agreement of the same kind for twenty years with the foundry Gustave Leblanc-Barbedienne, which was directed by the nephew of its founder, Ferdinard Barbedienne. Leblanc-Barbedienne thus owned exclusive rights to working of reductions of the Eternal Spring and of The Kiss except for the original size which the obligation to reserve the casting for the same firm." "For Eternal Spring, with the reservation of some uncertainties, the division of the castings from 1899 to 1919 is the following: fifty casts with a height of 0.40 meters; sixty-nine examples at 0.23 meters; the 0.52 meter size model did not appear until 1908 and thirty-two cast were made of it up to 1919."
The MacKenzie Art Gallery’s detailed documentation allows any scholar and historian, using other documented and published references, to independently confirm with confidence the "provenance" of this bronze "Eternal Spring." Whether it is technically a "lifetime cast" before Rodin’s death on November 17, 1917 or posthumously reproduced sometime before the Barbedienne foundry contract expired in 1919, it may never be known. Though the date of Jules Mogey son’s death in World War 1 would in all probability would nail it down.
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